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The semi-transparent panels hang freely below the hall ceiling. In plan, they sit on a grid against which each one is rotated; in height, they follow a free-form, undulating guide surface. They adopt its inclination only in part. An additional, gradually changing rotation tilts the field along individual guide lines, while elsewhere the panels lie closer to the surface. Towards the centre of the stand the swarm thins out until individual elements stand free in space.
Because the panels are layered one behind the other, the stand becomes a play of transparencies. Where they overlap densely, the red condenses into an almost closed surface; towards the edges, the field becomes permeable. With every step the layers shift against each other, and the image of the field changes with the viewer’s position.